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Monday, February 25, 2019

Nora in Ibsen’s “A Doll’s House” Essay

Throughout history, the role of gender compare has been viewed with varying degrees of importance by societies. People are quick to account and label a rebel as the one who goes against all the virtuous convictions and different normalities of each society. The definition of rebel is listed as someone or something that resists any authority or control. In the context of society, the control which is resisted by the rebel tramp be no other than the stereotypes of that particular society, a feature which can be directly linked to the oppression of women and their desires and aspirations chthonic standardised conditions and circumstances.Can the rebellious attitudes of women be condemned, ignoring the discontent of these women? Also, should their happiness flex repressed, giving way to self-sacrifice and the forfeiting of their desires? It is these issues which Medea and Nora are faced with, and in each case we can see that their decision to go against the stereotypes of the eras are by chance indicative of the predominance of their own desires and dreams over the notion of self-sacrifice. Thus we can see that both Medea and Nora can be characterised as rebels against the societies they live in.To depart with, Nora has fit into her society quite appropriately. She has married Torvald Helmer, and has three small children. She fulfills her duties as mother and wife with no apparent constraints from happiness. She does indeed thrive on keeping her home as best she can with the limited bills she has at her disposal. One example of this is where she has bought Christmas presents for Torvald, all of her children, and even the maids however she buys vigour for herself.1 She endures Torvalds condescending stance towards her, and does not retaliate when he criticizes both her and her mystify by saying that Nora is just like your father always on the look-out for all the money you can get, but the sec you have it, it seems to slip through your fingers 2 The im pression we are remaining with after these first pages is that of Nora being extremely nai ve, and having to be put in her place by Helmer, who does so almost instinctively.

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