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Monday, January 14, 2019

A Whole New Mind

intercept has presented sharp scientific evidence in his book A Whole New Mind that comes as familiar knowledge to the majority of us in our society. He also accentuate the some(prenominal) capabilities of right-brain mobiliseing such as creativity, artistry, empathy, inventiveness, and overall big evidence viewpoints. I noticed that Pink failed to mention any historical aspects originally the 1900s. For example during the European Renaissance numerous right-brain thinking characters sprouted with umpteen ideas for the world. These characters include painters, sculptors, inventors, musicians, and writers all across Europe.We all know, however, that the European Renaissance came and went. What leave this new abstract Age produce differently than the faded right-dominance of the European Renaissance years? Looking back in time in the midst of the years of 1400-1550 the geniuses of this world contributed to the life we live in now. I all say this because if they werent impor tant to our society today than we wouldnt grant had to learn about them during our high school years or rase our college years. A brilliant inventor, painter, musician, and mathemation Leonardo da Vinci is one man who seems to lose a great grasp of life in all his talents.He along with many other philosophers of that era seemed to fit the description of what I feel Pink suggests we should obtain without our lives to be successful and to play our life in a way to help not precisely our generation but for the generations after ours as well. As we have canvass in countless texts in high school about the several factors for the downfall of the European Renaissance and the complications after that time we should feel troubled to once again attempt to shift our minds.Right-brain thinking is an aged solution. Pinks proposal is one we have already gone through but is introduced in a business-like manner unlike the European Renaissance. How are we supposed to know that the Conceptua l Age will not affix the desire to create machines that will replace the art industry, so that viewer can be drawn in an instant? I think that Pinks transition solution from the Information Age to the Conceptual Age should be revised to explain more of what he has lost(p) in his book that had me puzzled.

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